A Cuban-and-Texan-Inspired Wedding Weekend in Miami

Natalie Mencio, a Cuban-American Miami native, and Jamey Steen, a born-and-raised Texan, met as first-year students at the University of Virginia. She was 17, he was 18, and neither of them knew that they'd be husband and wife in ten years. Fast-forward eight years after their first meeting: The now Houston-based post-grads were spending a long weekend with both of their families in Maine. On the first night of their vacation, Jamey's sister and brother-in-law made dinner at home, and, just before dessert, Jamey took Natalie to the backyard, where candles and champagne awaited. He got down on one knee and gave Natalie an even sweeter treat: a Kwiat emerald-cut diamond engagement ring. Although they forgot champagne glasses and the sparklers had died down by the time their families reached them, the moment was still perfect.

A little over a year later, the couple made it official with three days of parties. They kicked things off with a smaller church ceremony on November 10, 2016, then hosted an elegant rehearsal dinner, and ended the weekend with a larger ceremony and reception on November 12. Natalie and Jamey put on a personal, detail-oriented weekend extravaganza that symbolized the coming together of her Cuban heritage and Miami background with his deeply-rooted Texan history.

The couple used their wedding crest designed by Stephanie Fishwick—which featured swords, peacocks, palm trees, and other elements that reflect Natalie and Jamey's love story—as inspiration for the rest of their stationery by Paradise Design Co. Sage green envelopes were sealed with peacock wax seals and postmarked with vintage stamps depicting Florida, Texas, cowboys, and oranges.

The "Bienvenido to Miami"-themed bags included treats like Guayabera shirt-shaped cookies, Cuban coffee, and plantain chips. The couple also added a "prevention kit" made of Advil and mosquito repellent.

Natalie and Jamey officially wed on Thursday, November 10, surrounded by 21 immediate family members at Epiphany Catholic Church, the bride's childhood parish. "Doing it this way, without the chaos that accompanies a big wedding, made our vows feel more meaningful and special to us," she said of their smaller ceremony. "It also made our big wedding on Saturday less stressful and more fun."

Natalie wore a short white Mestiza New York dress, working with the designers of the brand to choose the embroidered fabric. The groom donned a Brooks Brothers suit with a vintage Hermès tie.

Jamey gifted Natalie this personalized pearlescent Edie Parker clutch, which she carried on the night of the smaller ceremony.

The following evening, the couple hosted a larger Cuban cocktail-themed rehearsal dinner at the Coral Gables Biltmore Hotel with 140 of their loved ones.

Tara Jones calligraphed the escort cards that were displayed in slotted pieces of driftwood, which matched the seaside vibe of the textured aqua linens, palm fronds, and candles.

To match the rehearsal dinner's tropical dress code, Natalie paired a freshwater pearl headpiece by Twig & Honey with a red silk organza Monique Lhullier bandeau top and an embroidered Temperley London skirt. Jamey donned a light green Ramón Puig Guayabera to match his Stubbs & Wootton loafers, which were embroidered with palm trees.

At Natalie's bridal luncheon earlier in the day, Jamey's mom and sister gifted her a book clutch emblazoned with "Natalie and Jamey's Love Story" and an embroidered version of their wedding crest.

Jackson Durham Events designed three 40-foot-long tables, set with assorted glass bottle vases filled with all-white orchid varietals and candles under strings of bulb lights for an intimate evening in the coastal air.

For the Saturday celebration, the bride wore an open-back Mira Zwillinger sheath dress made of guipure lace. "I think it was the second dress I tried on," Natalie says of her gown. "Once I saw the lace I knew there was no turning back."

The groom wore a Brooks Brothers tuxedo with his grandfather's suspenders and a handkerchief embroidered with "N&J" in the corner—an old gift from Natalie.

The lace on Natalie's veil, also by Mira Zwillinger, matched the fabric on her dress.

A gift from his mother, Jamey wore a pair of custom Stubbs & Wootton slippers embroidered with "Higbie," his nickname. Natalie's heels, a pair of light blue Marchesa sandals, served as her "something blue" and were also a gift—from her husband for her birthday.

Natalie used an old black-and-white photo of her great-grandmother's wedding in Cuba as inspiration for her bouquet. She took the picture to Sara Fay of Jackson Durham Events, who recreated the look. The outcome was a clutch of white stephanotis with matching leis. "I love how simple yet different my bouquet was—but even more so how it made me feel like I had a part of her with me on my wedding," the bride says.

Natalie's 'maids wore three kinds of neutral gowns: her sisters and sister-in-law wore guipure lace Self-Portrait dresses in two different styles, and her friends in the party wore white strappy Shona Joy ankle-length frocks. The entire party wore earrings designed by Nicola Bathie.

Jamey wore a Brooks Brothers tux, while the rest of his men sported their own dapper attire for the black-tie occasion.

Natalie's mother wowed in an emerald green Carolina Herrera dress that was both fashionable and functional—it had pockets!

Natalie and Jamey's larger ceremony took place at Granada Presbyterian Church, with 261 of their loved ones in attendance. "If I had to pick a favorite moment, it would have to be when we were announced as husband and wife at the church in front of all of our family and friends," the groom says.

Some of the littlest members of the wedding party were too young to walk down the aisle, so the older ones, clad in lilac Carolina Herrera dresses, pulled them in a decorated wagon made by Sara Fay of Jackson Durham Events. "I still remember hearing a roar of laughter when they emerged while I hid in the bridal room at the church," the bride says.

"I will never forget the way my grandmother looked at me when I walked down the aisle," the bride says of her favorite moment of the day. She was accompanied by her father to "Please, Please, Please Let Me Get What I Want" by The Smiths, played by a string quartet.

Growing up, Natalie always dreamed of celebrating her wedding at Vizcaya Museum and Gardens. With this in mind, Jamey called to inquire about the first available opening before proposing. "Moments after proposing, he casually told me, 'By the way, our wedding date is November 12—hope that's okay with you,'" the bride says of her husband's antics.

Different areas were set up around the museum—like a photobooth, food stations, and multiple bars—so guests could explore the oceanfront property and enjoy the festivities. By not having a plated, coursed meal, it also meant more time on the dance floor!

The couple found an artist on Etsy—Marcus Poston—to make a sign, which was modeled after The Strokes' logo and displayed in the Miami Vice-themed photobooth, which featured 80s-style props like blow-up cell phones, neon sunglasses, boom boxes, and light pink blazers.

Paradise Design Co. made the playful coasters and napkins modeled after the neon sign at the reception.

Tables were adorned with vases of roses, ranunculus, hydrangeas, lilacs, and assorted greenery, arranged by Jackson Durham Events.

Since the couple's two beloved cats couldn't make it to the wedding, Natalie and Jamey decided to incorporate them by featuring their likeness on flip-flops given out on the dance floor. "This was definitely the moment when my planning may have gotten out of hand—but our guests loved them!" the bride says of the feline footwear.

Jamey and Natalie made their first moves as husband and wife to Al Green's "Love and Happiness."

Natalie ushered in the hora loca—a time set aside at Hispanic weddings where the party picks up—with a Junkanoo band (a traditional Caribbean dance troupe) and an outfit change. She swapped her floor-length gown for a short, pale-pink GEM Official dress embellished with the word "love" and silver Jimmy Choo pumps. Another extra fun part of the night? When the crowd danced the limbo on the stage!

Peacocks and clementines carry special meaning for the couple—the vibrant blue foul represent Jamey's mother's hometown of Kingsville, Texas, and the citrus represents Natalie's home state of Florida. To combine these, they placed a Herend porcelain figure of two peacocks atop their wedding cake (a pale lavender Funfetti confection), with Murano glass oranges on each tier.

Guests tossed rose petals at the happy couple as they skipped down the driveway, where their car was waiting.

Photography, KT Merry Photography

Locations, Granada Presbyterian Church (ceremony); Biltmore Hotel (rehearsal dinner); Vizcaya Museum and Gardens (reception)

Wedding Planning, Floral, and Décor Design, Jackson Durham Events

Catering, Mena Catering

Videography, Pabelona Studio

Stationary, Paradise Design Co.

Calligraphy, Tara Jones

Monogram, Stephanie Fishwick

Cake, Earth and Sugar

Music, Marischen String Quartet (ceremony); Libido Band (reception)

Tent and Rentals, Christina's Party Rentals

Linens, Nüage Designs

Bride's gown and veil, Mira Zwillinger from Ultimate Bride Chicago

Hair and Makeup, Lutz Karpf

Bridesmaids' dresses, Self-Portrait; Shona Joy

Groom's tuxedo, Brooks Brothers

Lighting, Event Factor Lighting

Transportation, Aventura Worldwide

Photobooth, Kane & Social